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svara

स्वर svara

Pitch accent in Vedic recitation, traditionally of three kinds: udatta (raised), anudatta (lowered) and svarita (a gliding combination of the two).

Where this term appears

  • The Gayatri Mantra Worship

    … conferred at a valid upanayana, by a qualified teacher, with correct svara , the pitch accent, and that recitation outside that frame is a different act from the one the texts describe.

  • Against the Page Treatise

    …ts exact utterance: the precise sequence of sounds, and above all the svara , the pitch accent that rises and falls across the syllables and that can change meaning and, in the ritual frame, change effect.

  • Keeping the Sound Treatise

    The second is svara , the pitch accent, of which the tradition recognises three: udatta (raised), anudatta (not raised, lower), and svarita (a falling glide between them).

  • The Isha Upanishad: renounce, and then enjoy Treatise

    It is recited with full Vedic intonation, the svara , like the sacrificial formulae it follows.

  • The Three Cities Treatise

    …a ), onto the three guna-s ( sattva , rajas , tamas ), onto the three svaras ( udatta , anudatta , svarita - the three Vedic recitation tones), onto the three principal goddesses ( Mahalakshmi , Mahasaraswati ,…

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